
It has always been true that avid readers become better writers than their non-reading peers. Readers unknowingly gain an innate understanding of storytelling, a flourishing vocabulary, and vast knowledge about topics beyond their personal experience.
As a published journalist and author, I'm often asked to mentor or advise a beginning writer. A writing career is a marathon, not a sprint. Sure, we learn in grade school how to write, but writing something strangers want to read is an entirely different thing.
Like playing the violin, mastering a skill takes regular serious practice and study. How does reading fit into writing?
When I'm asked to meet an aspiring writer, the first question I ask is, "What do you enjoy reading?" The answer speaks volumes.
Fiction or Non-fiction?
A reader who sticks to non-fiction is likely to have a greater interest in journalism. Whereas, the reader who dives into fantasy, historicals, romance, adventure, mystery, and more, will probably want to write short stories or novels.
Ah, and then there are the readers of poetry. To them, I always, always say, "to make a living as a poet, become a songwriter. Big demand, better pay, and, when you become successful, everyone will quote your work."
For aspiring writers of any age, read the best-selling works in the genre you plan to write. Read the esteemed literary works as well, but often, heralded "must-reads" touted by critics earn their praise for promoting the latest popular cause or because they break storytelling conventions, not because they are great stories.
Examples
Louise Erdrich's The Sentence. It begins like a mystery about a ghost in a bookstore, then devolves into a raging rant about tearing down society. The author's spectacular prose proves she knows how to express deep, profound emotions and capture character and setting to immerse the reader in the story. By the end, the reader feels assaulted by a screaming, destructive mob that claims victimhood while looting and beating people.
Nutshell by Ian McEwan. Click on the title to read my review of his book and you will see that this is an example of breaking conventions.
Best-selling works earn the big bucks because they have something to say and they say it well. Not all bestsellers have brilliant prose or elegant figures of speech. Readers may adore a story for its bigger-than-life concept--like Jurassic Park. The main character could represent a fantasy that attracts readers--like the Jack Reacher series.
Bestsellers often become classics because readers recommend them to other readers, generation after generation. And while Shakespeare's works are classics, they are challenging for today's readers to appreciate. His stories get retold in modern versions, especially in movies.
Did you know that Charles Dickens was considered a hack in his day? Literary critics panned him. He wrote about ordinary people fighting for a better life. He exposed uncomfortable social issues and laws to show the problems they created. His stories changed people's minds and hearts, leading to improved labor laws and empathy for the downtrodden. How many other writers of his day can you name?
Sometimes, advertising creates a buzz that propels a book briefly to bestseller status. Advertising cannot maintain that status if readers don't like the book. How many readers have finished a touted "must-read" and felt cheated out of hours of life? Or flung it against the wall?
The challenge for a writer is to create a new story or tell an old story in a new way. Develop the craft of writing by studying the bestsellers. Identify the precise elements of these stories that work.
Recommended Reading
The highest-selling books have the most successful combination of plot, characters, dialogue, description of people and settings, and other elements of storytelling. The highest-selling fiction genres are romance and mystery/suspense. How many of these best-sellers have you read?
These books are available at your local library, but if you don't want to make those trips, try getting them as digital ebooks.
Many of these classics are available for free on Kindle. If you own an iPad or smartphone, you can download the Kindle app for free. Sign in on Amazon and search for Free Classics on Kindle.
If you have Kindle Unlimited, well, rock on for the annual fee and read until you fall asleep!
If you prefer paperbacks, check out Amazon's used books.
The links to titles below are for the Amazon Kindle version and while many older classics are free, some sell for less than a dollar. These are affiliate links, so I might earn a little if you buy from these links. Whenever the complete collection of an author is available for the same price as the single title, I've used the link to the collection. You're welcome.
All the links here are for books written or translated into English.
Over 100 million copies sold
- Bible (Banned in more countries than any other book). Of the many versions, the New International Version is easier to read than the King James version.
- Don Quixote by Miguel de Cervantes
- A Tale of Two Cities by Charles Dickens
- The Lord of the Rings by J.R.R. Tolkien
- Harry Potter and the Sorcerer’s Stone by J.K. Rowling (the whole series ranks here)
- And Then There Were None by Agatha Christie
- Dream of the Red Chamber by Cao Xueqin
- The Little Prince by Antoine de Saint-Exupery
- The DaVinci Code by Dan Brown
- Alice in Wonderland by Lewis Carroll (banned in China)
From 100 to 50 million copies sold
- The Lion, the Witch and the Wardrobe by C. S. Lewis
- The Catcher in the Rye by J.D. Salinger
- The Adventures of Sherlock Holmes by Arthur Conan Doyle
- 20,000 Leagues Under the Sea by Jules Verne
- Ben-Hur: A Tale of the Christ by Lew Wallace
- Anne of Green Gables by Lucy Maud Montgomery
- Black Beauty by Anna Sewell
- The Name of the Rose by Umberto Eco
- The Eagle Has Landed by Jack Higgins
- Watership Down by Richard Adams
- Charlotte’s Web by E.B. White
- The Mark of Zorro by Johnston McCulley
- Tarzan by Edgar Rice Burroughs
From 49 to 30 million copies sold
- The Tale of Peter Rabbit by Beatrix Potter
- The Odyssey by Homer
- Flowers in the Attic by V. C. Andrews
- To Kill a Mockingbird by Harper Lee
- War & Peace by Leo Tolstoy
- The Kite Runner by Khaled Hosseini
- Valley of the Dolls by Jacqueline Susann
- The Diary of a Young Girl by Anne Frank
- The Thorn Birds by Colleen McCullough
From 29 to 20 million copies sold
- The Great Gatsby by F. Scott Fitzgerald
- The Wind in the Willows by Kenneth Grahame
- 1984 by George Orwell (banned in the Soviet Union)
- The Hunger Games by Suzanne Collins
- The Adventures of Huckleberry Finn by Mark Twain
- Pride and Prejudice by Jane Austin
- Dune by Frank Herbert
- Charlie and the Chocolate Factory by Roald Dahl
Under 20 million copies sold
- Shogun by James Clavell
- The Pillars of the Earth by Ken Follett
- The Grapes of Wrath by John Steinbeck (once banned in California)
- The Hitchhiker’s Guide to the Galaxy by Douglas Adams
- A Wrinkle in Time by Madeleine L’Engle
- The Old Man and the Sea by Ernest Hemingway
- The Outsiders by S. E. Hinton
- Divine Comedy by Dante Alighieri
- Catch-22 by Joseph Heller
- The Cat in the Hat by Dr. Seuss
- The Lovely Bones by Alice Sebold
- The Life of Pi by Yann Martel
- The Giver by Lois Lowry
Now let’s examine other books recommended by writers. The following works are known for their brilliant prose, or memorable dialogue, or fantastic world-building, emotional impact on the reader, or masterful plotting. This list represents a wide variety of genres, selecting the most popular work of each master author.
- Le Morte d'Arthur, translated by Sir Thomas Malory into English. This is the most complete telling of the Camelot story
- John Keats’ poetry
- Percy Bysshe Shelley’s poetry
- A Doll’s House by Henrik Ibsen
- The Maltese Falcon by Dashiel Hammett
- The Short Stories of Guy De Maupassant, translated by Michael Monahan
- The Greatest Short Stories of Anton Chekhov
- The Best American Humorous Short Stories
- Lord Jim by Joseph Conrad
- In Search of Lost Time by Marcel Proust
- The Garden Party by Katherine Mansfield
- Atlas Shrugged by Ayn Rand
- Ulysses by James Joyce (banned in the UK and US until 1933)
- Catch-22 by Joseph Heller
- Stranger in A Strange Land by Robert Heinlein
- A Town Like Alice by Nevil Shute
- Brave New World by Aldous Huxley
- Gravity’s Rainbow by Thomas Pynchon
- Slaughterhouse Five by Kurt Vonnegut
- Gone with The Wind by Margaret Mitchell
- Lord of The Flies by William Golding
- Shane by Jack Schaefer
- A Prayer for Owen Meany by John Irving
- The Stand by Stephen King
- Beloved by Toni Morrison
- The Sound and The Fury by William Faulkner
- Moonheart by Charles de Lint
- Of Human Bondage by W. Somerset Maugham
- On the Road by Jack Kerouac
- At the Mountains of Madness by H.P. Lovecraft
- One Lonely Night by Mickey Spillane
- To the Lighthouse by Virginia Woolf
- The Moviegoer by Walker Percy
- The Heart Is a Lonely Hunter by Carson McCullers
- All the Pretty Horses by Cormac McCarthy
- Ender’s Game by Orson Scott Card
- The Haunting of Hill House by Shirley Jackson
- Invisible Man by Ralph Ellison
- Zen And the Art of Motorcycle Maintenance by Robert Pirsig
- The Call of The Wild by Jack London
- Fahrenheit 451 by Ray Bradbury
- Arrowsmith by Sinclair Lewis
- Naked Lunch by William S. Burroughs
- The Hunt for Red October by Tom Clancy
- V. by Thomas Pynchon
- Brideshead Revisited by Evelyn Waugh
- One Flew Over the Cuckoo’s Nest by Ken Kesey
- The Sheltering Sky by Paul Bowles
- My Antonia by Willa Cather
- Jonathan Livingston Seagull by Richard Bach
- Outlander by Diana Gabaldon
- Frankenstein by Mary Shelley
- Dracula by Bram Stoker
Reading these masterpieces will inspire, provoke, and teach any writer. I keep track of the books I've read by logging them on the Goodreads.com website. It's free. There, I note what was great and not so great about each book and rank it on a 5-star system.
Keeping track of one's reading helps prevent buying the same book in a multi-book series--something I've done enough to value tracking what I've read.
I urge beginning writers to read outside the genre they want to write. To those readers who look down on romance novels, for example, I say, "Guess which genre sells the most books year after year after year?"
Try the bestsellers in other genres. Figure out what makes them popular and use that element in whatever genre you write.
For my list of books and websites on learning the craft of writing, see Resources for the Serious Writer.
